USE THE NANO-BANANA MODEL TO CREATE A 1/7 SCALE COMMERCIALIZED FIGURE OF THE CHARACTER IN THE ILLUSTRATION, MIDDLE ZOOM,CLEAR DETAILS, IN A REALISTIC STYLE AND ENVIRONMENT. PLACE THE FIGURE ON CLEAR ACRYLIC STAND. NEXT TO THE COMPUTER SCREEN, DISPLAY THE ZBRUSH MODELING PROCESS OF THE FIGURE. NEXT TO THE COMPUTER SCREEN, PLACE A BANDAL-STYLE TOY PACKAGING BOX WITH TITLE " thi hernandes"PRINTED WITH THE ORIGINAL ARTWORK

A HYPER-REALISTIC LOW-QUALITY ANALOG-STYLE SELFIE PHOTOGRAPH TAKEN INSIDE A BRIGHT-COLORED 1970S-STYLE SUPERCAR. Me and Cristiano Ronaldo SIT IN THE FRONT SEATS: THE DRIVER me GRIPS THE WHEEL WITH BOTH HANDS, EYES NARROWED IN DEEP CONCENTRATION ON THE ROAD, WHILE THE PASSENGER cristiano ronaldo LEANS TOWARD THE CAMERA, HOLDING IT CLUMSILY WITH ONE PAW TO TAKE THE SELFIE. THE PERSPECTIVE IS WIDE-ANGLE, SLIGHTLY TILTED, AS IF SNAPPED QUICKLY INSIDE THE CAR. THE DRIVER IS PARTLY IN THE BACKGROUND, SERIOUS AND FOCUSED, WHILE THE PASSENGER DOMINATES THE FRAME, LOOKING DIRECTLY INTO THE LENS WITH A MISCHIEVOUS GRIN.

THROUGH THE WINDOWS, A BLURRED STREET SCENE FLASHES BY: BUILDINGS, ASPHALT, AND BRIGHT DAYLIGHT. THE HARSH ON-CAMERA FLASH REFLECTS ON THE CAR'S GLOSSY DASHBOARD AND WINDSHIELD, ADDING TO THE CHAOTIC VIBE. THE PHOTO MUST LOOK RAW, IMPERFECT, AND AUTHENTIC: WASHED-OUT VINTAGE COLORS WITH A FAINT YELLOW-GREEN TINT, SCRATCHES, FILM GRAIN, DUST SPECKS, UNEVEN EXPOSURE, AND SLIGHT MOTION BLUR. THE COMPOSITION SHOULD FEEL SPONTANEOUS AND BELIEVABLE — LIKE A REAL 1970S ROAD-TRIP GANG-STYLE SELFIE OF me and cristiano ronaldo A STOLEN SUPERCAR. In

Ultra-realistic and ultra-detailed cinematic close-up shot of the person in the reference image holding a La Caso de Papel mask, the mask covering half of his face giving cool looks or action appearance, wearing red outfit from La Casa de Papel series, people running and scared behind him, background with moody lighting 35mm film look shallow depth of field, sharp focus on me and the people a little bit, vibrant colors utra detailed.

FULL SHOT, DYNAMIC LOW-ANGLE COMPOSITION. THE SUBJECT, A MAN, IS WEARING A BLACK CREW-NECK T-SHIRT WITH SUBTLE DARK EMBROIDERY ON THE CHEST. HE'S ALSO WEARING SLEEK, OVAL-SHAPED SUNGLASSES WITH A LIGHT, REFLECTIVE LENS. BOTH HANDS ARE RAISED TOWARDS THE CAMERA, PALMS OPEN AND SLIGHTLY OUT OF FOCUS, CREATING A SENSE OF DEPTH AND INTERACTION. THE LIGHTING IS BRIGHT AND NATURAL, WITH A STRONG BACKLIT EFFECT FROM A PARTLY CLOUDY SKY, CREATING A HALO AROUND THE SUBJECT AND A SOMEWHAT DRAMATIC, HIGH-CONTRAST LOOK. THE COLOR TONE IS COOL WITH BRIGHT BLUES AND WHITES IN THE SKY, CONTRASTING WITH THE WARM UNDERTONES OF THE SKIN AND A HINT OF DUSTY GROUND. THE CAMERA LENS APPEARS TO BE WIDE-ANGLE, EMPHASIZING THE HANDS AND THE UPWARD PERSPECTIVE. THERE'S A SUBTLE BOKEH EFFECT ON THE BACKGROUND ELEMENTS, WHICH INCLUDE A CHAIN-LINK FENCE AT THE BOTTOM. THE OVERALL MOOD IS CONFIDENT AND DIRECT.

CREATE A HIGH-CONTRAST CLOSE-UP PORTRAIT OF THE REFERENCED MAN. THE IMAGE SHOULD DEPICT ONLY THE LEFT HALF OF HIS FACE, PARTIALLY SUBMERGED IN WATER, WITH FIRE AND ICE DROPLETS AND BUBBLES VISIBLE ON SKIN AND HAIR. ILLUMINATE THE LEFT SIDE OF THE FACE DRAMATICALLY, CASTING THE REST INTO DEEP SHADOW. DARK BACKGROUND, DETAIL INTO SKIN TEXTURE, BEARD STUBBLE, AND EYE FOCUS TO EVOKE A MOODY CINEMATIC ATMOSPHERE. 3:4 ORIENTATION. MAKE IT WARM COLOR.